Showing posts with label movie reviews. Show all posts
Showing posts with label movie reviews. Show all posts

Monday, August 1, 2011

HBO's Koran By Heart: Can't contest this documentary's greatness



This week's installment in HBO Documentary Films' summer series, Koran By Heart, is being promoted mainly as a film about the International Holy Koran Competition where young Muslims from around the world descend on Cairo to compete in a spelling bee-like competition testing their skills at reciting the Koran, both in terms of memorization and presentation. While that is the major focus of director Greg Barker's film, Koran By Heart tackles so much more than the competition and contains a richness and universality that makes the documentary a film that should be required viewing for everyone.

The documentary covers the 2010 competition which, as the contest always has, occurs during the Muslim Holy Month of Ramadan, which begins today and commemorates the month when the first verses of the Koran were said to have been revealed to Mohammed. Because of the Arab Spring, particularly with Hosni Mubarak's ouster in Egypt, it wasn't clear if there would be an International Holy Koran Competition this year, especially in Cairo. Google news searches could find similar contests being held in Iran and Saudi Arabia, but no mention of the large contest or, of the documentary's most fascinating figure, Dr. Salem Abdel-Galil, deputy minister of the Ministry of Religious Affairs in Egypt, who coordinates the contest. I could find no news stories indicating if this self-proclaimed moderate Muslim warning against extremism and fundamentalists still holds his post, but found that he does have a public figure page on Facebook.

Dr. Salem does take on a monumental task in arranging the event. He lets his staff handle the logistics, which would be overwhelming alone, making certain that 110 competitors from 70 different countries all make it to Cairo for the event. They range in age from their early 20s to as young as 7 and some, even the young ones, come without adult chaperones. The reciters, as they are called, all are Muslims, but all hail from different parts of the world and have learned to memorize the Koran in Arabic even though many do not speak Arabic and don't understand the content of what they are saying. While Salem's staff takes care of the administrative side, he concerns himself with what he calls "the creative" side, namely orchestrating how the contest runs. He chooses the questions and decides the criteria for judging the reciters. "The Koran is the only book that can be completely memorized. It's a miracle children can memorize it even without understanding its meaning," Dr. Salem says. I hate to differ with him, but being raised in the Bible Belt, I've known a lot of people who can recite Bible verses to you and if you try, anything can be memorized. Dr. Salem also has other duties with his job unrelated to the annual contest. He oversees 100,000 mosques and also is a well-known media personality in Egypt, hosting his own weekly TV show, The Final Word, where he preaches his message of moderate Islam and being true to the Koran, saying extremism and terrorism goes against Mohammed's teachings. As he says when we first meet him in the film:

"The irresponsible actions you see in some Muslims are because they are estranged from the Koran or don't understand the Koran. So stealing, sex outside of marriage, intoxication, injustice, aggression and terrorism — these are not allowed"

With 110 competitors, that would be a daunting task for filmmakers as well so director Greg Barker chooses to focus on three 10-year-olds from different parts of the globe:


  • Nabiollah, who lives in rural Tajikistan and attends a Madrassa where the only education he receives concerns the Koran.
  • Rifdha, a very smart girl from the Maldives Islands in the Indian Ocean who excels in all subjects, especially math and science, and is one of only 10 girls in the contest, though her parents have very different visions for her future.
  • Djamil, who is coming to Cairo by himself from his home in Senegal in West Africa, and has been told by his teacher that he won't just be representing Senegal but the entire continent as well.


  • Djamil feels an extra burden on his shoulders since his father is a respected imam in Senegal, though the boy has risen to be the country's top reciter without being able to speak a word of Arabic. He tells the filmmakers that his parents told him to learn the Koran before anything else and that every Muslim should do the same. Besides, Djamil adds, he "likes the way the letters look." Djamil's teacher sounds a message similar to that of Dr. Salem's as he prepares to send his star pupil off to Cairo by himself. "Now as you go to Egypt, the world is a mess. People are bombing and killing each other, but if all people understood Koran, there would be peace on Earth," the teacher tells the 10-year-old. "So by not using the Koran as God intended, what is the result? All these problems in the world and what is the solution? Return to the Koran. Learn it. Apply it." It still seems odd to be sending a 10-year-old child off on his own to another country, especially one where he doesn't speak the language. Later, once Djamil has arrived in Cairo, there's a scene where he's trying to speak with his mother on a cell phone, but the connection proves so terrible that neither can hear the other. It shows the family in Senegal saying they must have faith that Djamil will be OK.

    Above and beyond the fascinating material itself in Koran By Heart, is the way that director Barker approaches it. At times, it's as if you're watching a feature film instead of a documentary. His direction can be quite stylish, the contest itself automatically creates suspense, he tosses in extra details for both color and, sometimes, laughs as in one instance where some visiting judges are congregating in a lobby and one says to the others, "At my hotel, the call to prayer is done Saudi-style morning, noon and night. Are we in Egypt or what?" which makes the others laugh. There also is something intrinsically funny when we briefly meet Australian Muslims speaking with full-on Aussie accents. Barker's most intriguing touch though is how he layers more information about the people and places we've seen by leaping both backward and forward in time to reveal more. For example, we don't learn until much later in the film that before Nabiollah, the boy from Tajikistan, left for Cairo, the secular government of Tajikistan had closed his Madrassa, trying to clamp down on any rise in extremism. His father took him to a secular school to see if he could be admitted there and we learn that Nabiollah is functionally illiterate. Since the Madrassa only taught the Koran, the 10-year-old can't even read or write in his native language of Tajik, let alone Arabic.

    The competition itself makes marathon poker players look like wimps since they get breaks and can eat and drink at the table. The International Holy Koran Competition has qualifying rounds first that last three days and nights — during Ramadan, which means everyone fasts during the day, though they break for the traditional sunset meal. The night session begins at 9:30 p.m. and lasts until 3 a.m. Rifdha actually falls asleep on her father's shoulder waiting for her name to be called. Her father, who will turn out to be the most extreme person depicted in the documentary, never stops being negative and even after Rifdha shakes herself awake and recites, when she returns to her seat, he immediately tells her that she won't make it to the next round so while Rifdha might be happy when she learns she's received 97%, the highest score of the competition so far, her father just looks pissed. How the contest works is that a reciter selects a symbol on a computer screen which randomly selects a question, beginning a passage from the Koran and telling the contestant where he or she should end. It's like Songburst, except they give you the ending. If a reciter makes a mistake and corrects him or herself, they lose half a point. If a judge has to correct them, they lose a whole point. If they make three mistakes, they forfeit the question. The judges enter scores on their computers, which calculate. 100% is the highest score. They are judged on pronunciation, memorization and "The Rules of Tajwid."

    This isn't just dry recitation, there's a musical quality to it. Kristina Nelson, considered the top non-Muslim expert on the contest and author of The Art of Reciting the Qur'an, was attracted by this lyrical aspect. She, as well as the judges are extremely impressed by how good Nabiollah is; he even moves some judges to tears and they make a point of hugging and kissing him when he's finished his performance. Though it's just the beauty of his voice — strictly speaking he doesn't follow the Rules of Tajwid to the letter, but the boy had never heard of them until he came to Cairo. He closes his eyes tightly when he recites to avoid distractions and so he can visualize the text before him. Even though Nabiollah and other non-Arabic reciters don't know what they are saying, Dr. Salem says that the level of Heaven that Muslims reach depend on how much of the Koran they have memorized. According to Nelson, the full text of the Koran runs about 600 pages with 114 chapters ranging from three verses to 286 verses long.

    While Nabiollah gets by fine without knowing Arabic, it ends up being Djamil's downfall, who unfortunately gets a Koran verse that starts like multiple verses in the book. The judges try to get the young Senegalese boy on the right track, but he of course doesn't understand a word that they are saying, though he keeps trying, through tears, he keeps trying. The judges finally have to stop Djamil who only scores 22%. Because everyone felt so bad for Djamil but admired his perseverance in trying to continue, they arrange for him to recite at one of Cairo's most prestigious mosques. When he goes home to Senegal, he admits things did not go well, but he's able to say so with a smile on his face. After the initial three days of qualifying, 12 of the 110 move on to the finals which are held on national TV before the country's president, still Hosni Mubarak then, and both Nabiollah and Rifdah make the final 12. I won't spoil how they finish for you. With a few days off, they get to sightsee, something else that alienates Rifdah's father who talks more about moving the family away from the Maldives when they get back and how Egyptians aren't very good Muslims.

    The director frequently cuts back to the Maldives where we see Rifdah's mother brag about her and we've seen how different the place is. When we first meet Rifdah, she's speaking English and we meet another man in the Maldives who explains how it's always been a secular Muslim country, where women were allowed to work and go about uncovered but that a fundamentalism started to reassert itself in the 1980s. While Koran By Heart doesn't raise the issue, I find it interesting that the extremist Muslims wanting a return to fundamentalism started to occur first in Iran in the late 1970s and elsewhere in the 1980s — the same time fundamentalist Christian groups such as The Moral Majority starting asserting themselves politically in the U.S. and rabid activist groups such as Operation Rescue started protested abortion in less-than-peaceful ways. Another quote that Dr. Salem says in the film really brought home that connection to me:

    "The fundamentalist movement is not good for society. They want Islam to turn back the clock on society. Not long ago, they wanted to ban television…Unfortunately those who promote extremism have satellite TV channels with huge audiences and they get a lot of money and they present themselves as 'the voice of Islam' So their voice is louder than ours and we're the moderates. This is very dangerous."


    Just substitute Christianity for Islam and think of the late Jerry Falwell or Pat Robertson. They might not have a body count that comes close to equaling Islamic extremists such as al-Qaida, but it does seem as if they've followed the same timeline, only one group of religious fanatics chose force while the other has chosen political infiltration.

    While I won't give away how Nabiollah and Rifdah finish, that to me is what makes this great documentary end on a sad note. We see Rifdah's mother say she'd like her to go into math or science, but it will ultimately be up to her, but her father has different ideas, insisting that though he plans to move the family to Yemen for better religious education and that Rifdah will be educated, ultimately, she will be a housewife.

    Koran By Heart is one of the best documentaries HBO has offered this summer. It debuts at 9 p.m. Eastern/Pacific and 8 p.m. Central tonight on HBO. 

    (Cross-posted at Edward Copeland on Film.)

    Thursday, May 26, 2011

    Living in pain is easy; dying with dignity is hard -- a review of How to Die in Oregon

    By Edward Copeland

    In 1994, Oregon became the first state to allow doctors to prescribe lethal doses of medication to the terminally ill so they wouldn't have to endure all sorts of crippling pain and the assorted loss of functions and powers that turned lives into something that could hardly be called living anymore. Tonight, HBO premieres the great documentary How to Die in Oregon, which personalizes the law, telling the stories of several Oregonians who weigh the option of whether or not to end their suffering. It's a powerful, emotional film that hits particularly close to home for me. It's also something everyone should see, especially in a time when compassion and rationality on a wide variety of issues seem to be in short supply.

    Sometimes it's difficult when reviewing a movie — narrative or documentary — such as How to Die in Oregon that you know will deal with issues that are important to you. It makes critical distance harder to have. On the other hand, if you feel the film (or play or TV show for that matter) botches the presentation, you're liable to be harsher than you would be otherwise. Thankfully, that's not the case with How to Die in Oregon.

    The documentary opens with a home movie of Roger Sagner, who became the 343rd person to have his suffering ended legally after the passage of Oregon's law. As his lethal dose of Seconal gets mixed for him, his volunteer from Compassion and Choices, the advocacy group that helps most people with their final act, asks him the two questions that they are required to: "Do you know you have the right to change your mind? and "What will this (drink) do to you?"

    Sagner answers very quickly, "It will kill me and make me happy." He then gives his last words, first of love to his gathered family members, and then his final statement:

    I thank the wisdom of the voters of the state of the Oregon for allowing me the honor of doing myself in on my own volition to solve my own problems.

    What I wouldn't give if the wisdom of Oregon voters could somehow be bottled and slipped into the entire country's water supply, since we have a short supply of rational-thinking adults. Oregon also legalized medical marijuana, which has shown great progress in easing the pain for people such as myself who have multiple sclerosis, but then again 15 other states and the District of Columbia have joined Oregon on that law. Unfortunately, I'm stuck in a state which has a governor and legislature doing its damnedest to drag us back to the 19th century, prior to its and which on the last General Election ballot had as a priority a state question making sure that no state judge used Sharia law in making rulings.

    When Oregon voters approved its Death With Dignity law, only the countries of Switzerland and the Netherlands had legalized the practice. Since then, forward-thinking voters in Washington state and Montana also have approved such laws. Worldwide, Luxembourg is the only country to legalize it since. Worldwide, debates go on everywhere, but they always run into the same opposition, usually from churches and the religious, who most of all should watch How to Die in Oregon and maybe they'd understand this is about compassion — and isn't compassion a basic tenet of most religions?

    The film was directed, produced and photographed by Peter D. Richardson and won the Grand Jury Prize for Documentaries at this year's Sundance Film Festival. I don't know its competition, but How to Die in Oregon definitely proves award-worthy. Richardson establishes an amazingly intimate rapport with the film's interview subjects. His main focus stays with a 54-year-old woman named Cody Curtis who successfully beats liver cancer once only to have it return stronger and with a six-month death sentence attached, making Curtis face the idea of taking the lethal dose when the cancer returns.

    Given an expiration date and knowing what kind of pain she faces, Cody decides that she won't let cancer and doctors control what remains of her life and she sets a date to take the lethal dose, which gives her an unexpected sort of freedom, even though her entire family isn't happy about it, especially her son Thomas, who asks his mom if she won't struggle for herself, can't she struggle a little for him?

    Thomas moves past that, but that's what prevents laws such as Oregon's from being the law everywhere — friends and family, partly out of love but out of selfishness as well — can't bring themselves to accept the idea of their parent or child or whomever choosing to die, even when they witness the amount of pain that person goes through for long periods of time and know deep inside that it only get worse and that person's life will not end well under any scenario.

    Before we meet Cody, the film introduces us to Sue Potter, a seven-year volunteer for Compassion and Choices and one of the group's most active. We see her make one of her first stops to a man lying in be, obviously having a particularly bad day. Potter explains to him that she's there to talk with him because he's contacted the group about ending his life.

    "End my life? I'm already in life," he tells her. "I've already ended life. I want to exit life."

    Potter explains what it's like for people who get to these conditions. "These people have lost so much control and they'll tell us repeatedly that they want the medicine for control."

    The actual process requires filling out a form with the extremely long title REQUEST FOR MEDICINE TO END MY LIFE IN A HUMANE AND DIGNIFIED MATTER. It requires the signatures of two witnesses attesting that the person seeking the lethal dose is of sound mind.

    As Cody Curtis says at one point in the documentary about having the lethal prescription in her house, should she need it:

    It's very comforting to know they're here. I don't have to go through any more bureaucracy... They're here when I decide... It's not like when I'm in the hospital and they tell you, "You have to have another CAT Scan" or "We're taking you down for another procedure." It's my choice when to take them and whether to take them. My volunteer has told me I'll know and I'll just have to trust her on that. I'll know when my life isn't worth living anymore.

    While the film keeps Curtis as its center, it has plenty of time for sidetrips to other dying people, interview subjects such as Derek Humphry, author of the once controversial book Final Exit, as well as Seattle's Nancy Niedzielski who leads the campaign for a similar law in Washington.

    Niedzielski's story really illustrates the need for such laws. Her husband Randy was diagnosed with brain cancer. Nothing doctors could give him would alleviate the pain and the condition got so bad sometimes his eyes would literally pop out of their sockets. Randy finally decided to end treatment, since none of it was going to save his life or ease his pain. He went to a hospice and asked if they could help him do what they could to end his life quickly, but the hospice workers said they couldn't because that was illegal in the state of Washington. Randy told them that he would move to Oregon so he could take advantage of the Death With Dignity law, only he was told that he was so weak and near death by then that he wouldn't survive long enough to establish Oregon residency, a requirement of the law. His last request was that his wife change Washington's law and she helped lead the campaign for two years until its passage in 2008.

    You get to see the usual opposition as when Nancy serves on a phone bank and gets an opponent of the law's passage and actually challenges the caller on what so many people don't seem to understand on any issue: They are free to think it's wrong, but why do they think their belief should be imposed on everyone else? Why is the idea of choice (and I'm not using it in terms of the abortion debate here) so revolting to them? You also see Nancy interviewed for a radio program where the host calls what she is seeking "assisted suicide," a term which offends Nancy and most others who support Death With Dignity. Nancy tells him that suicide is when someone who is otherwise healthy and would live for many more years decides to end his or her life because he or she is clinically depressed. Unfortunately, in the 47 states that don't have this law, that's how they treat people who are in chronic pain: as if they are just depressed and need shrinks and medication, like a teenage boy whose girlfriend just dumped him.

    It also has something to do with what you hear in passing in a segment that plays excepts of the Washington debate on talk radio where a man talks about having to be placed in long-term care and how it's eating up his inheritance. Not that I ever had a fortune in savings, but I've watched it evaporate thanks to my medical costs. It doesn't help that my sole income is Social Security Disability Insurance and for two years running, Social Security recipients have been denied cost-of-living increases under the argument that the rate of inflation hasn't been high enough to justify it. Of course, this hasn't prevented Congress from giving themselves cost-of-living hikes to their six-figure salaries both of those years.

    Then there is Medicare. Part A the "hospital part" is free, but if I wanted Part B, I would have to pay a premium which would be deducted from my meager Social Security check. On top of that, one of my doctors won't take Medicare patients and others are threatening not to because of talk that their fees might be reduced. Therefore, I didn't take Part B, staying on the health insurance that was funded by my employer who still considers me an employee on long-term disability, even though I receive no salary. The government tries to blackmail you into taking Part B, telling you that for each year you don't sign up, the premium will increase a certain percentage for every year you didn't. As far the increasing number of doctors who refuse Medicare patients, Lawrence O'Donnell pointed out last week that in 1960, before Medicare, the average family doctor's salary was $10,000. Just four years after Medicare's enactment, that average had increased to $24,000. Today, that average is something around $130,000 a year. For specialists, it's about $333,000 a year. And these poor babies fear cuts. By the way, Part A, the "hospital part" only covers you if you are admitted to a hospital. If you have outpatient procedures at a hospital or are taken to an emergency room at a hospital, that doesn't count. That's Part B.

    The entire health-care industry, with the government as co-conspirators, opposes laws such as Death With Dignity because they want to bleed everyone dry first. The system for people who are chronically ill but not terminal actually is set up so that you really can't get financial help unless you are broke first. That's what they want: It's how the system is set up. Pardon my digression. I'm writing this to praise a wonderful documentary on an important topic.

    Oregon isn't immune from this either. How to Die in Oregon also tells the infuriating story of Randy Stroup, a 53-year-old uninsured man diagnosed with prostate cancer who had to depend on the Oregon Health Plan. After his first treatment, his doctor recommended stronger chemotherapy and the health plan sent him a letter denying the treatment, but giving him a list of other options, including the Death With Dignity Act. This was a man who wasn't terminal and could be saved.

    "To think they'd put a price tag on my life," Stroup said, "by saying they'd pay to kill me but they wouldn't pay to help me." Sounds very reminiscent of when Arizona recently cut their program for people awaiting transplants. One way or the other, it all comes down to money in the end.

    The center of How to Die in Oregon and much of its power belongs to Cody Curtis' story. After setting a date to take the medication, she find a happiness and freedom. Instead of everything revolving around her impending death, it becomes about life again and she ends up not taking it on the date she set and actually living beyond the six months she was told and with few signs of the pain she feared. It's as if she's been given a gift and gets more time with her husband and children, but eventually the cancer does kick in with its pain and complications. As she had said before after her brush with the disease, it's a relief to know the medication already is there in her house when she needs it and it's up to her to choose when that time is. Director Richardson's choice in filming the conclusion of Cody's story proves both perfect for the documentary and for Cody as well.

    From beginning to end, Richardson's compelling documentary takes you on an emotional roller coaster. It would have been easy to turn How to Die in Oregon into a propaganda piece supporting Death With Dignity laws, but he just lets his subjects talk and the audience has the experience. No embellishment is necessary.

    How to Die in Oregon premieres on HBO tonight at 8 p.m. Eastern/Pacific and 7 p.m. Central. Truly, it should not be missed. 

    (Cross-posted at Edward Copeland on Film.)

    Wednesday, April 20, 2011

    Restoring a bit of faith in genuine goodness



    With the amount of mischief, malfeasance and worse that goes on in the world, such as that conducted by the companies, our government and regulatory agencies which led to the BP oil disaster in the Gulf of Mexico one year ago today, it's hard not to be cynical. Then you watch the documentary short Saving Pelican 895, which debuts on HBO tonight, and see all the people devoted to cleaning, rehabilitating and saving the birds coated by oil by the spill, and your hardened heart reminds your brain that there still are good people in the world. As one of the workers at the Fort Jackson Oiled Wildlife Rehabilitation Center of Louisiana says in the film, "How can people question that we shouldn't care for these animals?"

    Directed by Irene Taylor Brodsky, who was nominated for the 2008 Oscar for documentary short subject for The Final Inch, Saving Pelican 895 focuses on the plight of the brown pelican, Louisiana's state bird, whose history in the state has been one hard struggle. What makes the brown pelican unique among pelicans is that it's the only pelican that dives from the air for its fish. When there began to be a massive use of pesticides along the Mississippi River, it began to kill off the birds, placing them on the endangered species list for 45 years until 1963, when there were none left in the state.

    A massive immigration effort imported brown pelicans from Florida to Louisiana and the program proved so successful at repopulating the bird in the state that it was removed from the endangered list in November 2009. Five months later, BP's Deepwater Horizon exploded. Some species just can't catch a break, but this old bird proved sturdier than others. Conservationists, government agencies and activists joined forces to rescue the oil-soaked pelicans and take them to the Fort Jackson facility to be cleaned and rehabilitated before their release to a new pelican colony far removed from the spill site.

    In the first three months after the spill, this effort rescued 894 brown pelicans. The film specifically focuses on the pelican given the moniker LA 895. As one of the staff veterinarians explains, an absolute rule they must follow is to never name any of the birds they are treating to prevent becoming too attached should a bad outcome happen.

    One of the main interview subjects is the man who leads most of the rescue efforts along the coast itself, state biologist Michael Carloss, who admits that at the beginning of the operation his "dreams are almost nightly of oiled pelicans." LA 895 was thought to be about 10 weeks old, meaning he didn't even know how to fly yet. It was assumed his parents were rescued separately and wondered where he was since in the early weeks of a brown pelican's life, both sexes keep close watch over the fledglings, or that they may have died. The rig explosion happened right in the middle of the species' breeding season, so many of the rescued pelicans were much younger than the birds the rehabilitation center usually sees, meaning the workers and volunteers had to be much more involved than usual. They try to hand-feed the birds only when absolutely necessary because part of the program is to ensure that by the time the pelicans get released, they still fear humans and retain their wildness and won't approach people outside expecting to be fed.

    Watching the entire process that these birds go through and how dedicated these people are to saving them truly is moving. The film also has nice original music by Joel Goodman. The documentary makes the point that the U.S. is the only country that requires oil companies to foot the bill for saving wildlife they've inadvertently harmed, a law passed after the Exxon Valdez wreck in Alaska. I do have to ask if that's accurate considering that with the record profits the oil companies make, they still get subsidies from our corrupt Congress, so doesn't that mean it's ultimately taxpayers who are paying? Not that I mind since it's more than a worthy cause, but seeing the reports of how BP has skirted much of its financial responsibilities for the environmental and economic disaster it created along the Gulf Coast, I hated hearing it sound as if they were being forced into good corporate citizenship. (Just this morning, there were more tales of how BP is STILL dragging its feet to avoid paying people's individual claims and, just to make you angrier, even though former BP CEO Tony "I want my life back" Hayward is no longer an active executive, he will retire next year at age 55 with an annual pension of nearly $1 million.)

    The heroes in Saving Pelican 895 are the men and women who devote themselves to saving these creatures. It restores part of my faith in humanity. It also shows the strength of these birds, who had to be evacuated during part of the rehab process when a hurricane threatened. As Carloss says near the end, "With all they've been through, they really are survivors. These pelicans are tough."

    Saving Pelican 895 airs tonight on HBO at 9 p.m. EDT/PDT and 8 p.m. CDT.

    (Cross-posted at Edward Copeland on Film.)

    Thursday, April 9, 2009

    Kambakht Ishq:kambakkht ishq,MOVIE,movie trailer -REVIEW-WALLPAERS-SONGS-KAREENA-VIDEOS-CAST DETAILS,Akshay KUMAR





    Kambakkht Ishq (Hindi: कमबख़्त इश्क़) is a forthcoming Indian Bollywood film directed by Sabbir Khan and produced by Sajid Nadiadwala. The project will feature Akshay Kumar and Kareena Kapoor in pivotal roles along with actors Aftab Shivdasani and Amrita Arora in supporting roles. Hollywood actors Sylvester Stallone, Denise Richards and Brandon Routh will be appearing in cameos, reportedly playing themselves.[1] Originally scheduled to release in December 2008,[2] the film was postponed due to extensive production work and is now slated for a release on May 29, 2009.[3]


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    In November 2007, producer Sajid Nadiadwala announced that he had signed on actor Akshay Kumar to essay the lead role in his film[8] whilst later that month, it was announced that Kareena Kapoor was signed on to play the female lead.[9] It will be the seventh time that Kumar and Kapoor are paired together on-screen. Kumar will be reportedly seen playing a Hollywood stuntman in the film[10] whereas Kapoor, a high-society girl.[11] According to Nadiadwala, "It will be an international love story on a lavish scale."[9]




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    The project was originally expected to commence filming in January 2008 in Los Angeles, California with nine actors from Hollywood[9] but due to extensive pre-production work on the film, it was later shifted to May 2008.[12] Reports indicated that actor and politician Arnold Schwarzenegger was signed on to do a cameo and that the film would feature a performance from singer and actress Beyoncé Knowles.[12] Prashant Shah, line producer of Kambakkht Ishq in L.A. commented, "...We are in talks with Beyoncé and we have also received a letter from Arnold's office...Things will be confirmed shortly and we will be making a formal announcement when that happens."[10] It was later reported that both of the stars would not be appearing in the film.[6]

    In March 2008, Nadiadwala announced that "this would be the first Indian film to be shot within Universal Studios."[13] However, when a fire broke out on the backlot of Universal Studios on June 1, 2008, the shooting of the film was expected to be delayed but the producer indicated, "...so far the area where we are supposed to shoot remains unaffected. So for now we are proceeding on schedule."[14] Later that month, the cast finally began filming for the project in Los Angeles, California, where pivotal scenes were shot at the Kodak Theatre and Universal Studios.[1] In August 2008, reports had indicated that the film was 50-60% complete and the cast would continue filming for the project in Venice, Italy.[15] After completing their overseas schedule, the production team later headed to shoot in Mumbai, India.[16]

    During December 2008, reports surfaced indicating that Kumar and Kapoor would appear alongside Carmen Electra in a promotional music video for the film.[17][18] However in February 2009, Nadiadwala announced that Electra wouldn't be appearing in the music video and was replaced by the music group RDB. According to Nadiadwala, "It is not a music video but a song that we will use as an integral part of the film. It will occur close to the film's interval. It will also be the first promotional song."[19] The first trailer of the film was shown alongside the release of Jehangir Surti's film Aa Dekhen Zara (2009).[20]



    It’s official: Kareena Kapoor is going Hollywood!

    Kambakht Ishq also stars Hollywood heavyweights like Arnold Schwarzenegger, Sylvester Stallone and Denise Richards.
    Kambakht Ishq is a Romantic Action movie set in Hollywood. The story is of a stunt man, Akshay Kumar, who makes it big in Hollywood but fails to get true love.

    Kambakht Ishq Cast
    Bollywood Stars: Akshay Kumar, Kareena Kapoor, Amrita Arora
    Hollywood Stars: Arnold Schwarzenegger, Beyonce, Sylvester Stallone

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    Wednesday, March 25, 2009

    Aa dekhen zara:Bipasha wallpaper,neil netin mukesh,free video song,trailer,movie details,free music,songs,gazab bhayo rama song.

    Aa dekhen jara


    Movie details:

    Starring
    :
    Neil Nitin Mukesh, Bipasha Basu, Rahul Dev, Sophie Choudhary, Bobby Vats, Shrivas Nydu, Deepak Dhariwal, Biswajeet Chatterjee, Sameer Siddiqui
    Director
    :
    Jehangir Surti
    Producer
    :
    Viki Rajani
    Music Dir
    :
    Pritam, Gourav Dasgupta
    Singers
    :
    Sunidhi Chauhan, Neil Nitin Mukesh, Shaan, Dibyendu Mukherjee, Shweta Vijay, Aakriti Kakkar, Sunaina
    Lyrics
    :
    Irshad Kamil, Avishek, Ravi, Syed Gulrez, Prashant, Anand Bakshi, Shreeshak Anand




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    NOW WATCH EXCLUSIVE VIDEO SONGS :


    VIDEO 1:








    VIDEO2:
    GAZAB BAHYO RAMA ZULUM BAHO REY VIDEO SONG:



    Saturday, March 21, 2009

    download free music -hindi songs

    DOWNLOAD FREE HINDI SONGS

    music is essence of our life.

    It is directly related to our soul.

    music help us keep our self alive.

    music give a touching effect on our life.

    there are songs that we can relate with every phase of our life.

    >>>>>>>>>>>>click here to listen and download free hindi music<<<<<<<<<<<<<<<



    click here for english songs

    click here for punjapi numbers


    click here for pop & hindi remix songs

    click here for list of all hindi songs.


    click here for gazal......


    click here for wedding songs


    click here for bhangra songs
    .



    keep visiting this section for update.
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